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(Duplication’s no fun!)
My new show, “Certainty Principle” opens (tmw) Thurs., Sept. 23rd 6-9pm at Spruill Gallery, Atlanta.
I have a new exhibition (“Certainty Principle”) opening at Spruill Gallery in Atlanta on September 23rd. For all you outta towners, I’m posting images and video that will be included in the exhibition here: http://certaintyprinciple.tumblr.com
My review of “Substitute Teacher” currently on view at the Atlanta Contemporary Art Center. Review via mightbegood, from Austin.
I’m taking another swing at the history and practice of street photography (from a practical perspective) on Saturday, March 13th at 10am. The class is almost full (seriously!), with just a few spots left. Sign-up now!
I wrote an essay called “Reconsidering Winogrand” for the first issue of PUBLICATION, and I’ve posted it over on 2point8.
(Photo above: © The Estate of Garry Winogrand)
I donated a digital c-print comprised of stills from “Flight Plan” for this year’s Art Papers auction. All proceeds from the sale benefit Art Papers.
WABE’s City Cafe did a story about On the Flip Side at Spruill Gallery.
Introducing a new whileseated.org.
A new (or old) image appears every day at midnight.
There is no archive of images.
There is no RSS feed, no tags, no comments, no links, no words.
Two recent reviews of “on the flip side” include mentions of my work.
”Say hello to using cellphone to make art”
Catherine Fox, Atlanta Journal Constitution, Oct. 20th, 2009
““It’s hard to be fast and loose with film,” Murphy said. “The phone takes all the seriousness out of the process, and the preciousness out of object.”
In other words, it gives him license to experiment. For instance, the Atlanta artist set the cellphone camera on a timer, mounted it on his car dashboard and went for a ride. The ensuing pictures of earth and sky become a careening amusement-park ride when strung together in the video “Cell Dash,” and a handsome abstract composition when turned into a large, gridded photo collage.
“Michael David Murphy went even further. Setting his phone on the dashboard of his car, he programmed it to take a picture of the sky at specific intervals as he drove to work, ran errands or went out at night. Back in his studio, he composed two grids on the computer, one of 1,056 cells and the other 1,300, which he then output onto roughly 7-by-4-foot inkjet prints that were casually tacked to the wall.
Even with the difference in scale, Murphy’s thoughtful presentation seemed a wink and a nod to the working 8-by-10 proof sheets that were historically part of any photographer’s trade. This acknowledgement of the past while embracing the future seemed the perfect summation of the innovations and byproducts introduced in this innovative exhibition.
A few quick youtube views of my video piece APEX at Le Flash. I didn’t take any of my own installation videos! Ah well…
A peek at the cell-phone photography (& videos) I’m showing at “on the flip side” at Spruill Gallery through November 7th.
Alyson and I chatted with Burnaway.org the other day.
